john hawks weblog

paleoanthropology, genetics and evolution

science documentaries

  • Cutting room floors

    Sat, 2012-12-01 01:07 -- John Hawks

    Reading items on my desktop, I found a rant I had written a while back. I generally don't post rants, but a decent amount of time has passed...

    I'm totally irritated this morning because we turned on a cable channel where they were showing a documentary about Neandertals from only a few years ago. It's a clutch of talking heads telling stories about what Neandertal life "must have been like", accompanied by actors dressed in skins and clay brow ridges. The difference between the "modern" and "Neandertal" actors is whether the skins have been stripped of fur. If you've seen any human evolution documentaries in the last decade, you know the genre.

    Walking caveman shows are hardly anything new, and I've been in a few that have been pretty good. So why am I particularly irritated?

    This particular program was such a waste. The producers assembled a fair group of scientists to comment on the Neandertals and clearly spent a lot of money on the production. But then they encouraged those scientists to go way beyond the science. And the scientists went along for the ride.

    Here's a hint: When you're talking about the differences between Neandertal and modern human spiritual beliefs, you've gone beyond the science.

    Earlier this week, I saw a link on Twitter from a chemist sick of spending time on interviews with journalists: "Another interview makes the cutting room floor".

    Yes I wanted to be interviewed because its been drummed into me over 20 years that the public understanding of science is pathetic and we scientists have to do a better job communicating to the masses etc.. Now if you filter the scientists through journalists does that make us better communicators? I think in the pre blog days that was the only way to go but some scientists are cracking communicators and have huge audiences. Not me. My work has a couple of journals and magazines that would likely cover something I might do. The potential for my work to reach a broader audience by contributing to an interview is the “bait”. We scientists are lured hook, line and sinker every time. Bigger audience, equals more citations, more citations equals success, funding and respect. I should go further and say that we try to highlight the work because our collaborators and co-authors also benefit from the exposure.

    His complaint is related to tuberculosis research, not bad caveman outfits. But I thought about his concerns when I was watching the program this morning. So many scientists want to help tell good stories about their research, hoping it will make some difference -- a difference to their profile, a difference to public understanding, a difference to their status in the field. It's a mix of selfish and altruistic motivations, a complicated mix.

    We can't tell stories alone. But we need to tell our stories, not the stories that writers feed to us.

    Synopsis: 
    A rant about bad caveman outfits on TV and arm-waving anthropologists
  • The Human Spark, episode 1

    Tue, 2010-01-12 21:42 -- John Hawks

    I got to sit down and watch most of the first episode of "The Human Spark" on PBS tonight (my earlier post). Our local station shows these things later than the national release dates, and I missed out on the first ten minutes or so as I was putting the kids to bed. The host is Alan Alda, and here are my live-blogging thoughts after I sat down to watch:

    8:16: Svante Pääbo interview. Alda watches Adrian Briggs drilling into ancient bones. Explains the problems with contamination.

    "But that small difference between us could be crucial, couldn't it?"

    8:18: Now, on to protein extraction from Neandertal bones to do isotopic analysis. Alda sits down in the cafeteria with Michael Richards, explaining the high proportion of animal protein in the Neandertal diet.

    8:19: On to Grenoble. Nice shot from an Alp. The European synchotron. Tanya Smith is here beaming X-rays into them to get micro-CT data from inside the teeth. The skull here is from Roc de Marsal.

    Some interesting animations of human versus chimpanzee cranial growth. Human brains develop slowly, etc.

    "Neandertal children ... seem to have grown up more quickly..."

    We're in the archaeological site of Roc de Marsal, with Harold Dibble and Shannon McPherron. How many Neandertals were there at any one time. They banter about 20,000, decide that's too many.

    8:23: Dan Lieberman is showing Alda the original Skhul 5 skull. We've got a graphic of modern humans evolving in Africa, like little campfires from a night view of the Earth. And then they spread out to light little campfires in Europe. It's like the George Bush version of human evolution -- "a thousand points of light!"

    Close shots of archaeological levels with Randall White.

    8:27: "Even if Grandma kept her teeth in a glass..." Pierced human molars, being worn as ornaments. They go through the little museum near the site. "Microscopic analysis that we've been doing shows that they were sewn on, like to articles of clothing." This is a nice conversation they're having.

    It's a little unfortunate that the film pushes the "no Neandertal ornaments" angle, particularly since this week's paper with the pierced shells.

    "Here's what I don't get: The Neandertals survived, but didn't change. They came from the same people that we came from, and at some point we started changing; we became able to change.... Having come from the same background, why were we able to change and they weren't?"

    White's answer -- Neandertals have a generalized technological approach; modern humans invent new technologies to address every problem that comes along. You can't separate society from technology (as a response to a followup about social organization). Population numbers may have limited lines of communication among Neandertals. With moderns, "once somebody invents something, everybody knows about it."

    8:35: John Shea is teaching undergraduates how to knap. Explaining the value of projectile technology. Ooooh -- time to hit a deer decoy with an atlatl dart. "A hunter who's using this kind of thing would have to work with a group...it takes planning, cooperation...I can't imagine this functioning without the prior existence of language."

    I find myself thinking wondering why this wouldn't have been true of Neandertals hunting the same animals? And didn't we hear a little while ago that it was the small animals and fish that set modern humans apart? There is a problem with the presentation here -- these seem contradictory.

    8:40: Now, we're in Nairobi with Veronica Waweru. Looking at arrows with reusable shafts. Alda is narrating -- did modern humans start using poison?

    8:43: Olorgesailie. Alison Brooks and (an unnamed) Rick Potts are there. Brooks has points that are 150,000 years old that may be arrow points (although the one they handle on camera is bigger than Shea's atlatl point...). Three different excavations, each representing a different age. Another small point "has just been unearthed". This one looks a likelier arrow point than the other. Then, 320,000 years old, they have left a bunch of small stone flakes on pedestals for the film crew. The stone raw material is taken from at least 45 to 50 km distance. Alda: "These people were choosy about their materials...quite unlike the Neandertals."

    This is unfortunate, too -- there are some clear instances of Neandertals transporting raw materials over 250 km.

    Now they're looking at a possible anthropogenic accumulation of pigment minerals. Brooks stresses human "inventiveness" as a cause of the success of modern humans.

    8:50: Back to Ian Tattersall. I didn't see his earlier appearance. "When did people who would fit into human society now first appear?" Tattersall puts it down to 50,000 years ago or so. He suggests that the biological ability to behave in modern society might date back to 150,000 years ago, but lay latent until culture developed much later to bring out the modernity.

    Whoa -- the points of light again. People are swarming like tiny sparking ants, and all the yellowish Neandertal fires are going out.

    Not a bad program. Alda was a great host for this. You can tell he's genuinely interested in this stuff, and he really put the scientists at ease in the interviews. It's great that they got usable material again and again just having him talking with the archaeologists. And having one host actually travel to these field sites was great -- much better than the usual disembodied narration.

    I was really liking it until around halfway through, but as the film went on, it started to raise contradictions that bothered me. Very one-sided about Neandertal behavior, too simplistic.

    I don't think the interviewees were the problem here, I think in particular Shea and White were making fairly nuanced statements about Neandertals. I can guess that if either had given any black-and-white quotes, the editors would have included them. My impression was that the choice of topics dictated the result -- ornaments, pigment, and projectiles were chosen to emphasize the "behavioral modernity".

    Where I think that approach fails in in the specifics. Projectiles may have been technically more difficult than large-point weapons, but they should have been socially easier. Does it take less cooperation to bring down large animals with close-contact weapons? I think it's the opposite -- I think Neandertals must have been under more pressure to cooperate in their hunts. The transport across long distances is important in MSA contexts, but it's also present in Mousterian France. Neandertals didn't spend hours and hours making beads, but they did wear ornaments and use pigments. If there's a distinction, it's the frequency of these behaviors -- which is a lot harder to measure or estimate.

    It's too bad in a way -- it really wasn't necessary to talk about the "human spark" as a human versus Neandertal comparison. This didn't have to be a "modern human origins" program. The DNA segment was interesting, but it didn't really contribute anything to the show's theme -- the narration concluded the segment by saying that the genes don't tell us about the "spark" yet.

    I'd have emphasized some older stuff, which is new science that actually does tell us about the emergence of humanness. The Brooks segment would fit into that theme, with the much earlier material from Olorgesailie (and this week we have 500,000-year-old blades from the Kapthurin Formation...). I'd have emphasized the new stuff from Atapuerca, especially the evidence about language. An earlier focus would bring a little more credible use of genetics, either FOXP2 (which I really don't need to see again...) or some human-accelerated genes.

    It's curious to compare this program with the NOVA series last fall. The themes were very different (NOVA emphasized climate, this one technology). There was very little overlap of scientist lists -- although it never hurts to be based in New York. I think the programs go well with each other, but it sort of forces the casual viewer to notice that the same evidence can be read almost at cross-purposes, depending on what the scientist assumes is fundamental.

  • The Human Spark

    Tue, 2010-01-05 09:28 -- John Hawks

    PBS is running a new three-part series about "what makes us human", called The Human Spark. I had to look around to find a review, here's one from The Oklahoman:

    With Alda participating in many interviews and demonstrations, the program details scientific views of traits that set the human race apart from the world’s other species, including chimpanzees, which have most of the same DNA as people. The creation and use of a spear is one example used to survey the levels and extent of human thought — and yes, Alda does make and throw a spear in the show.

    "With only five minutes of working on the tool, I was up to the Neanderthal ability,” the veteran of "M*A*S*H” and "The West Wing” muses. "They had a couple of million years to work on it. I mean, I thought that was pretty swift.”

    The show has a nice website. My favorite feature is the blog (OK, big surprise) because it includes some entries by the experts interviews on the series. So far, archaeologist John Shea and Veronica Waweru have made appearances.

    Biggest surprise:

    Filming The Human Spark with Alan Alda led me to question some of the assumptions we make about the evolution of human uniqueness – the metaphorical “spark” in the title of this series. Most anthropologists assume that the qualities that made humans unique evolved recently and only among members of our species, Homo sapiens. But what if this assumption is an accident of history? Might the things we think make us unique actually be characteristics we share with other hominins who are now extinct? A spark can be the beginning of a fire, but it can also be the last ember of a conflagration. What if our spark is not the start of something new, but rather the culmination of a long-running evolutionary trend?

    Did Alan Alda made John Shea into a multiregionalist? Well, no, the rest of the thing is all about how our tiny sparks kept us alive while all those other species died out.

    I recommend Waweru's entry. Best line:

    100,000 years ago, long before Hammurabi’s law or the Ten Commandants were in place, ancients may have had an unwritten — albeit tempered — Second Amendment.

    Those are my kind of hominins.

  • Pain in the sauropod neck

    Mon, 2009-12-28 07:30 -- John Hawks

    Matt Wedel of Sauropod Vertebra Picture of the Week relates an unfortunate story of his involvement in a dinosaur documentary project.

    Do you see, do you understand, what they did there? I was explaining why an old idea was WRONG and they cut away the frame and left me presenting the discredited idea like it’s hot new science. How freaking unethical is that?

    The long comment thread brings out other bad dinosaur documentaries. Meanwhile, the story may have a satisfactory ending.

    Good thoughts therein for scientists who may get invited to help with documentary productions. Carl Zimmer's reactions are also worthwhile.

Subscribe to science documentaries

Neandertals

For years, I've worked on their bones. Now I'm working on their genes. Read more about the science studying these ancient people.

Denisova

From a finger bone of an ancient human came the record of a completely unexpected population. My lab is working on the science of the Denisova genome.

Acceleration

The advent of agriculture caused natural selection to speed up greatly in humans. We're uncovering some of the ways that populations have rapidly changed during the last 10,000 years.

Malapa

Just outside Johannesburg, the Malapa site is producing some of the most exciting finds in human evolution. This site is the headquarters of the Malapa Soft Tissue Project.